Portrait of Bret Stephens

Bret Stephens

Since joining The Times in 2017, I have written about everything from China’s long-term decline to the enduring relevance of Edmund Burke to my grandmother’s advice about sex to my misgivings about The Times’s 1619 Project. I’m often described as a conservative, though I’ve been a harsh critic of the direction of the Republican Party. I believe in free enterprise, free trade, free speech, and the need to safeguard the institutions of democracy at home and abroad. I also think it’s healthy to be able to change your mind and to say so publicly — as I have about Trump voters and climate change.

My hometown is Mexico City. I studied political philosophy at the University of Chicago and comparative politics at the London School of Economics. I worked for The Wall Street Journal in Brussels, where I mainly covered European topics, and was editor in chief of The Jerusalem Post, where I covered Middle Eastern ones. For many years I was The Journal’s foreign-affairs columnist, for which I won the 2013 Pulitzer Prize for commentary. I’m the author of “America in Retreat: The New Isolationism and the Coming Global Disorder.” In 2022, the government of Russia barred me for life.

Every word I publish in The Times is rigorously fact-checked and edited. I am a national judge of the Livingston Awards but recuse myself whenever work is submitted by colleagues or personal acquaintances. The Times alone pays for my reporting trips. I don’t blurb books unless they are excerpts from columns or commissioned reviews. I sit on a few academic and nonprofit advisory boards, from which I derive no income or other benefit. Work I perform outside The Times is approved by The Times. I’m not on Twitter — sorry, “X” — or any other form of social media. Learn more about The Times’s standards.

Latest

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    Bret Stephens

    To Be (Visibly) Jewish in the Ivy League

    Behavior that would be scandalous if aimed at other minorities is treated as understandable or even commendable when directed at Jews.

    By Bret Stephens

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